Let’s flash back to a couple of noteworthy Miami soul classics from 45 years ago this month.
He’s Bad, Bad, Bad – Betty Wright
Local soul singer Betty Wright was fresh off her first hit record, “Girls Can’t Do What the Guys Do” and rolling into the fall of 1968. But momentum doesn’t last long in the music business. ALSTON Records, the Miami record label run by Steve Alaimo and Henry Stone which had released Wright’s first single, was clamoring for another hit song by the 14-year old up-and-comer. Clarence Reid, the composer behind her first hit, suggested a song titled “Don’t Make the Good Girls Go Bad” as a natural follow-up, a kind of sequel in the same style and narrative of the first song. But Alaimo reportedly rejected it for those very reasons.
So Reid and his writing partner, Willie Clarke, composed “He’s Bad, Bad, Bad” for Wright. In this track, Wright shows off her Aretha-like chops and swag. And backed up by a trio of girls, a couple of horns, and a bluesy guitarist, she earned herself another hit record.
By November 1968, “He’s Bad, Bad, Bad” had climbed into the top ten singles charts at Miami’s leading soul station WAME “Whammy” Radio. While the track is not one of Wright’s more widely recognized singles, it nevertheless showed the music world that this Miami teenager was not to be taken lightly.
Flash Forward: Betty Wright is still doing her thing. At last check, she had released a soul revival album in 2011 in association with The Roots.
She lives in Miami.
Don’t Make the Good Girls Go Bad – Della Humphrey
The second song from November 1968 is in my humble but informed opinion the more notable of the Soul Flashback hits not only due to its back story but because it gave rise to yet another 14 year old star – Della Humphrey.
The legend goes that when Clarence Reid’s initial follow up song for Betty Wright was rejected by ALSTON, he took the lyrics to Ms. Humphrey, a Miami teenager who until then had sung in her Overtown church choir and had won a few singing contests around town.
“Don’t Make the Good Girls Go Bad” was released not on any Miami label (due to Reid’s disdain for ALSTON’s response to it), but instead by a Philadelphia record label he had connections to. The song reached #1 with local radio stations and bumped aside Betty Wright momentarily from the top of the charts.
Humphrey reached her musical peak with that song and sadly, her career floundered after that. But the song remains a soul classic.
Flash Forward: Della Humphrey lives in a town north of Atlanta, Georgia with her husband, Bill. She has a small music studio set up in her home for whenever she feels like laying down a few vocal tracks.
(For the full story on Della Humphrey, read “The Della Humphrey Experience,” which was featured in a prominent post here in December 2012.)
46 years ago this month, Miami-made soul music was hitting its stride. It was the year before the scene would break nationally with a couple of big hits in 1968 from local teen sensations Betty Wright and Della Humphrey. Here are 5 very solid tracks all recorded in Miami that debuted in May 1967, a sample of what was just around the corner for Miami Soul.
Sweet Sweet Lovin’ – Paul Kelly
Released on the Philips label, this song became a local hit by July 1967. Paul Kelly was a Miami-born vocalist who enjoyed an extensive career well through the 1980s. His biggest hit was Stealing in the Name of the Lord, which reportedly created a stir among some black communities because it exposed the hypocrisies of some church leaders. But controversy sells; the song reached #14 on Billboard’s R&B chart in July 1970. Three years earlier, Kelly released the song featured here, Sweet Sweet Lovin’. There was no controversy about this very upbeat song, which was produced by Buddy Killen, a music producer from Alabama who made his bones in country music but also had slightly comparable success with R&B hits.
Girl I Got News For You – Benny Latimore
Benny Latimore is a keyboardist from Charleston, TN who moved to Miami and became an integral part of Henry Stone’s TK Records as a session musician and singer-songwriter. He had 2 national hit records of his own in the mid 1970s with Let’s Straighten It Out (#1 in R&B, #31 in Top 40) and Something ‘Bout Cha (#7 in R&B). Girl I Got News For You, issued on one of Stone’s first R&B record labels (Dade), was released in May 1967. One month later, this catchy, pre-disco track was one of the top songs jamming on local soul stations, and probably would have been a bigger hit if it had been (re)released during TK’s impressive disco run a few years later.
Willie “Little Beaver” Hale moved to Miami as a teenager from Forrest City, AR. He joined the Miami nightclub band, Frank Williams & the Rocketeers as lead guitarist in 1964 and later recorded a few tracks as a solo artist including this one, which was released on Octavia Records. Beaver later joined up with Henry Stone’s TK Records and had five hit songs including the 1974 Party Down which reached #2 on Billboard’s R&B chart. He is considered the grand master of Miami Soul guitarists and is most revered for, among many of his musical accomplishments, playing all three guitar tracks on Betty Wright’s exceptional gold record Clean Up Woman (1971).
I Love You Baby – The Moovers
The Moovers recorded their first 2 songs, including this one, with Deep City Records, Miami’s first black-owned independent label which was run by partners Willie Clarke and Johnny Pearsall. The Moovers later changed their name to The Prolifics and released the song If Only I Could Fly in December 1968. They later recorded under the band name Living Proof in the 1970s. The song featured here was written and arranged by Willie Clarke, Johnny Pearsall, and Arnold Albury. The song has a Delfonics’ flavor to it (and incidentally would have been suitable for the soundtrack of Tarantino’s 1997 film, Jackie Brown). Favorite lyric? “With you, I’m a king, without you, I’m not a dog-gone thing.”
True Love Don’t Grow on Trees – Helene Smith
Widely considered among people in the know as Miami’s first queen of soul, Helene Smith recorded more than 20 songs between 1966 and 1969, mostly with the aforementioned Deep City, and then a couple with Phil-LA-of Soul out of Philadelphia, after Deep City’s partners split in 1968. Smith released True Love Don’t Grow on Trees in May 1967, a modest hit. But her big break would come three months later with A Woman Will Do Wrong, which reached #20 on Billboard’s R&B and #128 on the crossover pop singles charts. Today, she is a public school teacher in Miami-Dade County.
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